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Falola's Interview on Nigeria and Article on the J. A. Atanda Lecture and=
 Conference

** Yoruba Activism: Professor J. A. Atanda in Focus
------------------------------------------------------------

By Toyin Falola

https://toyinfalolanetwork.org/yoruba-activism-professor-j-a-atanda-in-foc=
us/?utm_source=3DBrainiac+Global+Resources&utm_campaign=3Da35be392ab-EMAIL=
_CAMPAIGN_2024_08_03_08_07&utm_medium=3Demail&utm_term=3D0_-a35be392ab-%5B=
LIST_EMAIL_ID%5D

Yoruba has transversed beyond mere language or the description of a certai=
n set of people with shared origins. It has evolved into an ideology and c=
onceptualization bloc with cultural specificity that marks those who subsc=
ribe to it as distinct from others. This cultural and ideological framewor=
k has transcended Nigeria=2C becoming a global heritage that continues to=
 shape the world=E2=80=99s ideological dispositions. As a result=2C studyi=
ng the intricacies of Yoruba culture and its ideological developments over=
 generations has become globally necessary and relevant. As these studies=
 enhance the understanding and extension of Yoruba epistemology with conte=
mporary diversities=2C they contribute to the gradual expansion of the glo=
bal value system.

Photo: Professor J. A. Atanda

Today=2C the world is riddled with complications and challenges=2C prompti=
ng the search for solutions and sparking agitation. Several social ideals=
 have abnormally been undermined by the gradual change in conceptual holdi=
ngs and the unfair aspirations of some over others=2C putting many of the=
 underprivileged majority at a disadvantage. This conference seeks to expl=
ore the enduring activist ideals of Yoruba culture=2C which have withstood=
 time and opposition and continue to impose their conceptualizations on ma=
ny Yoruba individuals. The conference aims to highlight the history=2C kno=
wledge=2C concepts=2C people=2C and institutions of Yoruba origin=E2=80=93=
both past and contemporary=E2=80=93that promote social sanity=2C good gove=
rnance=2C peaceful coexistence=2C democracy=2C stability=2C and the welfar=
e of society in general.

How do the Yoruba disagree? Are there constructive dispositions and pointe=
rs to rebellious tendencies and disagreements? How do they express their d=
isappointment? These questions form the basis of many other subjects that=
 will be discussed at the conference. Yoruba culture largely depends on fi=
gurative expressions and specific anecdotes to pass across some messages a=
gainst some acts or subjects they disagree with. This is the concept behin=
d the sayings such as "ija lo de=2C l'orin d=E2=80=99owe (disagreement mak=
es a song inciting) and =E2=80=9Corin ni=E2=80=99n s=E2=80=99iwaju ote=E2=
=80=9D (songs are the pointers of disputes). These expressions illustrate=
 the Yoruba approach to nonviolent disagreements and conflicts and how the=
y communicate dissatisfaction to the other party. The right and instinct t=
o disagree have always been part of the Yoruba cultural upbringing=2C taug=
ht directly or indirectly to children as they grow up. These principles ar=
e then applied to more complex situations=2C including intergroup or inter=
-communal
relationships.

Photo: Dr. Adejoke A. Fatunde

The Omoluabi behavioural concept of the Yoruba emphasizes respect=2C peace=
=2C and orderliness while also encompassing the ability to disagree with u=
nsettling attitudes and actions within the confines of cultural parameters=
=2E This principle is reflected in the approaches taken in the precolonial d=
isagreements among communities of Yoruba origin=2C such as the Owu War of=
 the early nineteenth century=2C which saw the alliance of some groups tha=
t believed that some fundamental wrongs had been done to the people. This=
 concept also reveals the reasons behind various other civil wars in Yorub=
a history.

More particularly=2C the instinct to preserve integrity and communal right=
s was the basis for the Yoruba resistance and agitation against other ethn=
ic groups that undermined their dominance and sovereignty=2C as well as va=
lues core to Yoruba custom. They were never afraid to fight when needed an=
d were always ready to speak out when necessary. The Yoruba=E2=80=99s acti=
vist spirit also manifested in their resistance to colonial conquests duri=
ng the colonial era. The British took over many Yoruba settlements without=
 resistance=2C as such actions contradicted the core values of sovereignty=
 and ridiculed the societal ethos held by the Yoruba people at the time. Y=
oruba leadership was not ready to be second-class citizens=2C as this ran=
 contrary to their cultural conceptions.

Photo: Pro-Chancellor=2C Lead City University=2C Ibadan=2C Nigeria. CC: Li=
nkedIn

In line with this=2C the conference will examine subjects like the 1945 wo=
rkers=E2=80=99 general strike on the cost of living and Herbert Ogunde=E2=
=80=99s role=2C resistance to unfavourable levies and taxation during colo=
nial rule=2C and the tabloid press and protests predominant in Abeokuta an=
d Lagos. These topics will be discussed to understand how these passions w=
ere expressed historically and how they are represented in contemporary so=
cieties.

Beyond these=2C the Yoruba concept of protest and resistance has been refl=
ected in many literary expressions=2C both written and oral. Yoruba drama=
 and books on various aspects of Yoruba culture=2C occurrences=2C and conc=
epts often address situations with the original Yoruba convictions of prot=
est. Many literary works and books written=2C especially during the early=
 periods of Nigerian independence and those reeling into contemporary Nige=
ria=2C reflect the Yoruba approach to protests and disagreement with autho=
rities and activities within the confines of the Yoruba traditional approa=
ches.

Photo: Prof. Aderemi Kabiru Adeyemo=2C Vice-Chancellor=2C Lead City Univer=
sity=2C Ibadan. cc: Abdullateef Aliyu

To maintain these spirits in the face of unpleasant situations=2C Yoruba c=
ulture instils these values in every individual=2C regardless of gender or=
 age. This is why=2C at some points=2C agents of social change within Nige=
rian history have included women from both elite and low-influence groups=
 that protested despicable situations. One notable example was the women's=
 protest against the colonial government=E2=80=99s imposition of unreasona=
ble taxes on Egba women=2C led by Mrs. Ransome Kuti.

Throughout Nigerian history=2C several individuals and groups have epitomi=
zed Yoruba activism=2C championing protests and transformational agitation=
s. Yoruba history is marked by the bravery of figures like Wole Soyinka=2C=
 whose historical feat has attracted different perspectives on scholarship=
s in contemporary society. During the country=E2=80=99s process of nationa=
l discovery and development=2C figures such as Obafemi Awolowo=2C Gani Faw=
ehinmi=2C Femi Falana=2C and Fela Anikulapo raised critical questions and=
 drove change=2C reflecting the inquisitive and resistant dispositions dee=
ply embedded in the cultural and traditional properties of the Yoruba peop=
le.

Photo: Entrance Lead City University=2C Ibadan. cc: wikipedia

The spirit of Yoruba activism is evident in contemporary figures such as S=
unday Igboho and Omoyele Sowore=2C whose contributions=2C criticisms=2C an=
d beliefs are rooted in the cultural and behavioural models embedded in Yo=
ruba culture. This spirit has also inspired various groups and institution=
s to speak the truth to power and champion nationalist causes of developme=
nt. From ancient societal egbes to the Egbe Agba o Tan=2C Egbe Atunluse=2C=
 and Egbe Afenifere=2C which fronted cultural and developmental blueprints=
 of the nation to the Agbekoya movements and the Oduduwa People Congress a=
nd many other current protest groups that sought national transformation=
=2C the Yoruba conviction of activism has endured through time. Understand=
ing how this activism culture has been transmitted from the past to the pr=
esent is a crucial subject of conversation among scholars with a deep unde=
rstanding of Yoruba history.

Photo: Prof. Godwin Emmanuel Oyedokun=2C The Chair of the Conference Organ=
izing Committee

The 7th Atanda Conference will unravel the connecting factors of the Yorub=
a activism spirit=2C its contributions to nation-building=2C and its conte=
mporary relevance. This is particularly important given the emerging natio=
nal and international issues that demand both individual and collective at=
tention. The conference aims to provide solutions to many of these problem=
s through the lens of Yoruba activism. Additionally=2C it aims to expand t=
he scope of Yoruba epistemology and understand the changes it has undergon=
e in contemporary contexts. Scholars at the conference will examine whethe=
r these developments have been progressive or regressive and assess the cu=
rrent relevance of Yoruba culture=2C especially from the perspective of re=
silience.

I offer my congratulations to the Atanda family for keeping alive the memo=
ry of Professor Atanda; Professor Godwin Emmanuel Oyedokun=2C the Chair of=
 the Conference Organizing Committee and all his team members=2C the close=
 to three hundred participants=2C and Chancellor and Vice-Chancellor of Le=
ad City University. For the program and book of abstracts=2C see: https://=
drive.google.com/file/d/1-6LjbSdoQmqD1uXRpt5lUApStfu4H5EY/view?usp=3Dshari=
ng&utm_source=3DBrainiac+Global+Resources&utm_campaign=3Da35be392ab-EMAIL_=
CAMPAIGN_2024_08_03_08_07&utm_medium=3Demail&utm_term=3D0_-a35be392ab-%5BL=
IST_EMAIL_ID%5D

FALOLA=E2=80=99S INTERVIEW ON NIGERIA

We cannot succeed if we are divided over religion and ethnicity=2C poverty=
 has no colour =E2=80=94 Prof. Falola

https://tribuneonlineng.com/we-cannot-succeed-if-we-are-divided-over-relig=
ion-and-ethnicity-poverty-has-no-colour-prof-falola/?utm_source=3DBrainiac=
+Global+Resources&utm_campaign=3Da35be392ab-EMAIL_CAMPAIGN_2024_08_03_08_0=
7&utm_medium=3Demail&utm_term=3D0_-a35be392ab-%5BLIST_EMAIL_ID%5D

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2ab-%5BLIST_EMAIL_ID%5D

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iew on Nigeria and Article on the J. A. Atanda Lecture and Conference</spa=
n>

<center>
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0" cellspacing=3D"0" width=3D"100%" role=3D"presentation"><tbody><tr><td s=
tyle=3D"padding-top:0;padding-bottom:0;padding-right:0;padding-left:0" val=
ign=3D"top"><table width=3D"100%" style=3D"border:0;border-radius:0;border=
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t:24px;padding-top:12px;padding-bottom:12px" class=3D"mceTextBlockContaine=
r"><div data-block-id=3D"3" class=3D"mceText" id=3D"dataBlockId-3" style=
=3D"width:100%"><h1><span style=3D"font-family: Tahoma=2C Verdana=2C Segoe=
=2C sans-serif">Yoruba Activism: Professor J. A. Atanda in Focus</span></h=
1><p class=3D"last-child"><em>By Toyin Falola</em></p></div></td></tr></tb=
ody></table></td></tr><tr><td style=3D"background-color:transparent;paddin=
g-top:20px;padding-bottom:20px;padding-right:24px;padding-left:24px" class=
=3D"mceBlockContainer" valign=3D"top"><table align=3D"center" border=3D"0"=
 cellpadding=3D"0" cellspacing=3D"0" width=3D"100%" style=3D"background-co=
lor:transparent;width:100%" role=3D"presentation" class=3D"mceDividerConta=
iner" data-block-id=3D"35"><tbody><tr><td style=3D"min-width:100%;border-t=
op:2px solid #000000" class=3D"mceDividerBlock" valign=3D"top"></td></tr><=
/tbody></table></td></tr><tr><td style=3D"padding-top:0;padding-bottom:0;p=
adding-right:0;padding-left:0" valign=3D"top"><table width=3D"100%" style=
=3D"border:0;border-radius:0;border-collapse:separate"><tbody><tr><td styl=
e=3D"padding-left:24px;padding-right:24px;padding-top:12px;padding-bottom:=
12px" class=3D"mceTextBlockContainer"><div data-block-id=3D"16" class=3D"m=
ceText" id=3D"dataBlockId-16" style=3D"width:100%"><p>https://toyinfalolan=
etwork.org/yoruba-activism-professor-j-a-atanda-in-focus/</p><p><br /></p>=
<p style=3D"text-align: justify;" class=3D"last-child">Yoruba has transver=
sed beyond mere language or the description of a certain set of people wit=
h shared origins. It has evolved into an ideology and conceptualization bl=
oc with cultural specificity that marks those who subscribe to it as disti=
nct from others. This cultural and ideological framework has transcended N=
igeria=2C becoming a global heritage that continues to shape the world=E2=
=80=99s ideological dispositions. As a result=2C studying the intricacies=
 of Yoruba culture and its ideological developments over generations has b=
ecome globally necessary and relevant. As these studies enhance the unders=
tanding and extension of Yoruba epistemology with contemporary diversities=
=2C they contribute to the gradual expansion of the global value system.</=
p></div></td></tr></tbody></table></td></tr><tr><td style=3D"padding-top:1=
2px;padding-bottom:12px;padding-right:0;padding-left:0" class=3D"mceBlockC=
ontainer" align=3D"center" valign=3D"top"><span class=3D"mceImageBorder" s=
tyle=3D"border:0;border-radius:0;vertical-align:top;margin:0"><img data-bl=
ock-id=3D"4" width=3D"409.2" height=3D"auto" style=3D"width:409.2px;height=
:auto;max-width:660px !important;border-radius:0;display:block" alt=3D"" s=
rc=3D"https://mcusercontent.com/4a7329e2b9fd1f5d213e82a33/images/0288fe60-=
a7d4-b203-84a8-f1efe3726f1d.jpg" role=3D"presentation" class=3D"imageDropZ=
one mceImage" /></span></td></tr><tr><td style=3D"padding-top:0;padding-bo=
ttom:0;padding-right:0;padding-left:0" valign=3D"top"><table width=3D"100%=
" style=3D"border:0;border-radius:0;border-collapse:separate"><tbody><tr><=
td style=3D"padding-left:24px;padding-right:24px;padding-top:12px;padding-=
bottom:12px" class=3D"mceTextBlockContainer"><div data-block-id=3D"17" cla=
ss=3D"mceText" id=3D"dataBlockId-17" style=3D"width:100%"><p>Photo: Profes=
sor J. A. Atanda</p><p><br /></p><p style=3D"text-align: justify;" class=
=3D"last-child">Yoruba has transversed beyond mere language or the descrip=
tion of a certain set of people with shared origins. It has evolved into a=
n ideology and conceptualization bloc with cultural specificity that marks=
 those who subscribe to it as distinct from others. This cultural and ideo=
logical framework has transcended Nigeria=2C becoming a global heritage th=
at continues to shape the world=E2=80=99s ideological dispositions. As a r=
esult=2C studying the intricacies of Yoruba culture and its ideological de=
velopments over generations has become globally necessary and relevant. As=
 these studies enhance the understanding and extension of Yoruba epistemol=
ogy with contemporary diversities=2C they contribute to the gradual expans=
ion of the global value system.</p></div></td></tr></tbody></table></td></=
tr><tr><td style=3D"padding-top:12px;padding-bottom:12px;padding-right:0;p=
adding-left:0" class=3D"mceBlockContainer" align=3D"center" valign=3D"top"=
><span class=3D"mceImageBorder" style=3D"border:0;border-radius:0;vertical=
-align:top;margin:0"><img data-block-id=3D"18" width=3D"409.2" height=3D"a=
uto" style=3D"width:409.2px;height:auto;max-width:660px !important;border-=
radius:0;display:block" alt=3D"" src=3D"https://mcusercontent.com/4a7329e2=
b9fd1f5d213e82a33/images/e8b4230f-1ed8-da6b-d421-ddedfd63fbe4.jpg" role=3D=
"presentation" class=3D"imageDropZone mceImage" /></span></td></tr><tr><td=
 style=3D"padding-top:0;padding-bottom:0;padding-right:0;padding-left:0" v=
align=3D"top"><table width=3D"100%" style=3D"border:0;border-radius:0;bord=
er-collapse:separate"><tbody><tr><td style=3D"padding-left:24px;padding-ri=
ght:24px;padding-top:12px;padding-bottom:12px" class=3D"mceTextBlockContai=
ner"><div data-block-id=3D"19" class=3D"mceText" id=3D"dataBlockId-19" sty=
le=3D"width:100%"><p>Photo: Professor J. A. Atanda</p><p><br /></p><p styl=
e=3D"text-align: justify;">Today=2C the world is riddled with complication=
s and challenges=2C prompting the search for solutions and sparking agitat=
ion. Several social ideals have abnormally been undermined by the gradual=
 change in conceptual holdings and the unfair aspirations of some over oth=
ers=2C putting many of the underprivileged majority at a disadvantage. Thi=
s conference seeks to explore the enduring activist ideals of Yoruba cultu=
re=2C which have withstood time and opposition and continue to impose thei=
r conceptualizations on many Yoruba individuals. The conference aims to hi=
ghlight the history=2C knowledge=2C concepts=2C people=2C and institutions=
 of Yoruba origin=E2=80=93both past and contemporary=E2=80=93that promote=
 social sanity=2C good governance=2C peaceful coexistence=2C democracy=2C=
 stability=2C and the welfare of society in general.</p><p style=3D"text-a=
lign: justify;"><br /></p><p style=3D"text-align: justify;" class=3D"last-=
child">How do the Yoruba disagree? Are there constructive dispositions and=
 pointers to rebellious tendencies and disagreements? How do they express=
 their disappointment? These questions form the basis of many other subjec=
ts that will be discussed at the conference. Yoruba culture largely depend=
s on figurative expressions and specific anecdotes to pass across some mes=
sages against some acts or subjects they disagree with. This is the concep=
t behind the sayings such as "ija lo de=2C l'orin d=E2=80=99owe (disagreem=
ent makes a song inciting) and =E2=80=9Corin ni=E2=80=99n s=E2=80=99iwaju=
 ote=E2=80=9D (songs are the pointers of disputes). These expressions illu=
strate the Yoruba approach to nonviolent disagreements and conflicts and h=
ow they communicate dissatisfaction to the other party. The right and inst=
inct to disagree have always been part of the Yoruba cultural upbringing=
=2C taught directly or indirectly to children as they grow up. These princ=
iples are then applied to more complex situations=2C including intergroup=
 or inter-communal relationships.</p></div></td></tr></tbody></table></td>=
</tr><tr><td style=3D"padding-top:12px;padding-bottom:12px;padding-right:0=
;padding-left:0" class=3D"mceBlockContainer" align=3D"center" valign=3D"to=
p"><span class=3D"mceImageBorder" style=3D"border:0;border-radius:0;vertic=
al-align:top;margin:0"><img data-block-id=3D"20" width=3D"389.4" height=3D=
"auto" style=3D"width:389.4px;height:auto;max-width:660px !important;borde=
r-radius:0;display:block" alt=3D"" src=3D"https://mcusercontent.com/4a7329=
e2b9fd1f5d213e82a33/images/4e63589c-6e50-5bb0-61e5-386d8a319d7d.jpg" role=
=3D"presentation" class=3D"imageDropZone mceImage" /></span></td></tr><tr>=
<td style=3D"padding-top:0;padding-bottom:0;padding-right:0;padding-left:0=
" valign=3D"top"><table width=3D"100%" style=3D"border:0;border-radius:0;b=
order-collapse:separate"><tbody><tr><td style=3D"padding-left:24px;padding=
-right:24px;padding-top:12px;padding-bottom:12px" class=3D"mceTextBlockCon=
tainer"><div data-block-id=3D"21" class=3D"mceText" id=3D"dataBlockId-21"=
 style=3D"width:100%"><p>Photo: Dr. Adejoke A. Fatunde</p><p><br /></p><p=
 style=3D"text-align: justify;">The Omoluabi behavioural concept of the Yo=
ruba emphasizes respect=2C peace=2C and orderliness while also encompassin=
g the ability to disagree with unsettling attitudes and actions within the=
 confines of cultural parameters. This principle is reflected in the appro=
aches taken in the precolonial disagreements among communities of Yoruba o=
rigin=2C such as the Owu War of the early nineteenth century=2C which saw=
 the alliance of some groups that believed that some fundamental wrongs ha=
d been done to the people. This concept also reveals the reasons behind va=
rious other civil wars in Yoruba history.</p><p style=3D"text-align: justi=
fy;"><br /></p><p style=3D"text-align: justify;">More particularly=2C the=
 instinct to preserve integrity and communal rights was the basis for the=
 Yoruba resistance and agitation against other ethnic groups that undermin=
ed their dominance and sovereignty=2C as well as values core to Yoruba cus=
tom. They were never afraid to fight when needed and were always ready to=
 speak out when necessary. The Yoruba=E2=80=99s activist spirit also manif=
ested in their resistance to colonial conquests during the colonial era. T=
he British took over many Yoruba settlements without resistance=2C as such=
 actions contradicted the core values of sovereignty and ridiculed the soc=
ietal ethos held by the Yoruba people at the time. Yoruba leadership was n=
ot ready to be second-class citizens=2C as this ran contrary to their cult=
ural conceptions.</p><p style=3D"text-align: justify;" class=3D"last-child=
"><br /></p></div></td></tr></tbody></table></td></tr><tr><td style=3D"pad=
ding-top:12px;padding-bottom:12px;padding-right:0;padding-left:0" class=3D=
"mceBlockContainer" align=3D"center" valign=3D"top"><span class=3D"mceImag=
eBorder" style=3D"border:0;border-radius:0;vertical-align:top;margin:0"><i=
mg data-block-id=3D"22" width=3D"429" height=3D"auto" style=3D"width:429px=
;height:auto;max-width:660px !important;border-radius:0;display:block" alt=
=3D"" src=3D"https://mcusercontent.com/4a7329e2b9fd1f5d213e82a33/images/aa=
c4d236-18ef-eb87-c758-c0ada5ce1825.png" role=3D"presentation" class=3D"ima=
geDropZone mceImage" /></span></td></tr><tr><td style=3D"padding-top:0;pad=
ding-bottom:0;padding-right:0;padding-left:0" valign=3D"top"><table width=
=3D"100%" style=3D"border:0;border-radius:0;border-collapse:separate"><tbo=
dy><tr><td style=3D"padding-left:24px;padding-right:24px;padding-top:12px;=
padding-bottom:12px" class=3D"mceTextBlockContainer"><div data-block-id=3D=
"23" class=3D"mceText" id=3D"dataBlockId-23" style=3D"width:100%"><p>Photo=
: Pro-Chancellor=2C Lead City University=2C Ibadan=2C Nigeria. CC: LinkedI=
n</p><p><br /></p><p style=3D"text-align: justify;">In line with this=2C t=
he conference will examine subjects like the 1945 workers=E2=80=99 general=
 strike on the cost of living and Herbert Ogunde=E2=80=99s role=2C resista=
nce to unfavourable levies and taxation during colonial rule=2C and the ta=
bloid press and protests predominant in Abeokuta and Lagos. These topics w=
ill be discussed to understand how these passions were expressed historica=
lly and how they are represented in contemporary societies.</p><p style=3D=
"text-align: justify;"><br /></p><p style=3D"text-align: justify;" class=
=3D"last-child">Beyond these=2C the Yoruba concept of protest and resistan=
ce has been reflected in many literary expressions=2C both written and ora=
l. Yoruba drama and books on various aspects of Yoruba culture=2C occurren=
ces=2C and concepts often address situations with the original Yoruba conv=
ictions of protest. Many literary works and books written=2C especially du=
ring the early periods of Nigerian independence and those reeling into con=
temporary Nigeria=2C reflect the Yoruba approach to protests and disagreem=
ent with authorities and activities within the confines of the Yoruba trad=
itional approaches.</p></div></td></tr></tbody></table></td></tr><tr><td s=
tyle=3D"padding-top:12px;padding-bottom:12px;padding-right:0;padding-left:=
0" class=3D"mceBlockContainer" align=3D"center" valign=3D"top"><span class=
=3D"mceImageBorder" style=3D"border:0;border-radius:0;vertical-align:top;m=
argin:0"><img data-block-id=3D"24" width=3D"415.79999999999995" height=3D"=
auto" style=3D"width:415.79999999999995px;height:auto;max-width:660px !imp=
ortant;border-radius:0;display:block" alt=3D"" src=3D"https://mcuserconten=
t.com/4a7329e2b9fd1f5d213e82a33/images/b0a043af-7cb3-2987-8bd0-0bd2629139b=
a.png" role=3D"presentation" class=3D"imageDropZone mceImage" /></span></t=
d></tr><tr><td style=3D"padding-top:0;padding-bottom:0;padding-right:0;pad=
ding-left:0" valign=3D"top"><table width=3D"100%" style=3D"border:0;border=
-radius:0;border-collapse:separate"><tbody><tr><td style=3D"padding-left:2=
4px;padding-right:24px;padding-top:12px;padding-bottom:12px" class=3D"mceT=
extBlockContainer"><div data-block-id=3D"25" class=3D"mceText" id=3D"dataB=
lockId-25" style=3D"width:100%"><p>Photo: Prof. Aderemi Kabiru Adeyemo=2C=
 Vice-Chancellor=2C Lead City University=2C Ibadan. cc: Abdullateef Aliyu<=
/p><p><br /></p><p style=3D"text-align: justify;">To maintain these spirit=
s in the face of unpleasant situations=2C Yoruba culture instils these val=
ues in every individual=2C regardless of gender or age. This is why=2C at=
 some points=2C agents of social change within Nigerian history have inclu=
ded women from both elite and low-influence groups that protested despicab=
le situations. One notable example was the women's protest against the col=
onial government=E2=80=99s imposition of unreasonable taxes on Egba women=
=2C led by Mrs. Ransome Kuti.</p><p style=3D"text-align: justify;"><br /><=
/p><p style=3D"text-align: justify;" class=3D"last-child">Throughout Niger=
ian history=2C several individuals and groups have epitomized Yoruba activ=
ism=2C championing protests and transformational agitations. Yoruba histor=
y is marked by the bravery of figures like Wole Soyinka=2C whose historica=
l feat has attracted different perspectives on scholarships in contemporar=
y society. During the country=E2=80=99s process of national discovery and=
 development=2C figures such as Obafemi Awolowo=2C Gani Fawehinmi=2C Femi=
 Falana=2C and Fela Anikulapo raised critical questions and drove change=
=2C reflecting the inquisitive and resistant dispositions deeply embedded=
 in the cultural and traditional properties of the Yoruba people.</p></div=
></td></tr></tbody></table></td></tr><tr><td style=3D"padding-top:12px;pad=
ding-bottom:12px;padding-right:0;padding-left:0" class=3D"mceBlockContaine=
r" align=3D"center" valign=3D"top"><span class=3D"mceImageBorder" style=3D=
"border:0;border-radius:0;vertical-align:top;margin:0"><img data-block-id=
=3D"26" width=3D"561" height=3D"auto" style=3D"width:561px;height:auto;max=
-width:660px !important;border-radius:0;display:block" alt=3D"" src=3D"htt=
ps://mcusercontent.com/4a7329e2b9fd1f5d213e82a33/images/48310390-b086-ce2c=
-3d7c-e2d8f1b2c461.png" role=3D"presentation" class=3D"imageDropZone mceIm=
age" /></span></td></tr><tr><td style=3D"padding-top:0;padding-bottom:0;pa=
dding-right:0;padding-left:0" valign=3D"top"><table width=3D"100%" style=
=3D"border:0;border-radius:0;border-collapse:separate"><tbody><tr><td styl=
e=3D"padding-left:24px;padding-right:24px;padding-top:12px;padding-bottom:=
12px" class=3D"mceTextBlockContainer"><div data-block-id=3D"27" class=3D"m=
ceText" id=3D"dataBlockId-27" style=3D"width:100%"><p>Photo: Entrance Lead=
 City University=2C Ibadan. cc: wikipedia</p><p><br /></p><p style=3D"text=
-align: justify;" class=3D"last-child">The spirit of Yoruba activism is ev=
ident in contemporary figures such as Sunday Igboho and Omoyele Sowore=2C=
 whose contributions=2C criticisms=2C and beliefs are rooted in the cultur=
al and behavioural models embedded in Yoruba culture. This spirit has also=
 inspired various groups and institutions to speak the truth to power and=
 champion nationalist causes of development. From ancient societal egbes t=
o the Egbe Agba o Tan=2C Egbe Atunluse=2C and Egbe Afenifere=2C which fron=
ted cultural and developmental blueprints of the nation to the Agbekoya mo=
vements and the Oduduwa People Congress and many other current protest gro=
ups that sought national transformation=2C the Yoruba conviction of activi=
sm has endured through time. Understanding how this activism culture has b=
een transmitted from the past to the present is a crucial subject of conve=
rsation among scholars with a deep understanding of Yoruba history.</p></d=
iv></td></tr></tbody></table></td></tr><tr><td style=3D"padding-top:12px;p=
adding-bottom:12px;padding-right:0;padding-left:0" class=3D"mceBlockContai=
ner" align=3D"center" valign=3D"top"><span class=3D"mceImageBorder" style=
=3D"border:0;border-radius:0;vertical-align:top;margin:0"><img data-block-=
id=3D"28" width=3D"363" height=3D"auto" style=3D"width:363px;height:auto;m=
ax-width:660px !important;border-radius:0;display:block" alt=3D"" src=3D"h=
ttps://mcusercontent.com/4a7329e2b9fd1f5d213e82a33/images/93bffec4-f376-1f=
a9-d010-57ecfd182562.jpg" role=3D"presentation" class=3D"imageDropZone mce=
Image" /></span></td></tr><tr><td style=3D"padding-top:0;padding-bottom:0;=
padding-right:0;padding-left:0" valign=3D"top"><table width=3D"100%" style=
=3D"border:0;border-radius:0;border-collapse:separate"><tbody><tr><td styl=
e=3D"padding-left:24px;padding-right:24px;padding-top:12px;padding-bottom:=
12px" class=3D"mceTextBlockContainer"><div data-block-id=3D"29" class=3D"m=
ceText" id=3D"dataBlockId-29" style=3D"width:100%"><p>Photo: Prof. Godwin=
 Emmanuel Oyedokun=2C The Chair of the Conference Organizing Committee</p>=
<p><br /></p><p style=3D"text-align: justify;">The 7th Atanda Conference w=
ill unravel the connecting factors of the Yoruba activism spirit=2C its co=
ntributions to nation-building=2C and its contemporary relevance. This is=
 particularly important given the emerging national and international issu=
es that demand both individual and collective attention. The conference ai=
ms to provide solutions to many of these problems through the lens of Yoru=
ba activism. Additionally=2C it aims to expand the scope of Yoruba epistem=
ology and understand the changes it has undergone in contemporary contexts=
=2E Scholars at the conference will examine whether these developments have=
 been progressive or regressive and assess the current relevance of Yoruba=
 culture=2C especially from the perspective of resilience.</p><p style=3D"=
text-align: justify;"><br /></p><p style=3D"text-align: justify;" class=3D=
"last-child">I offer my congratulations to the Atanda family for keeping a=
live the memory of Professor Atanda; Professor Godwin Emmanuel Oyedokun=2C=
 the Chair of the Conference Organizing Committee and all his team members=
=2C the close to three hundred participants=2C and Chancellor and Vice-Cha=
ncellor of Lead City University. For the program and book of abstracts=2C=
 see: <a href=3D"https://tfinterviews.us7.list-manage.com/track/click?u=3D=
4a7329e2b9fd1f5d213e82a33&id=3D5a069acecc&e=3Dabd9507900">https://drive.g=
oogle.com/file/d/1-6LjbSdoQmqD1uXRpt5lUApStfu4H5EY/view?usp=3Dsharing</a><=
/p></div></td></tr></tbody></table></td></tr><tr><td style=3D"background-c=
olor:transparent;padding-top:20px;padding-bottom:20px;padding-right:24px;p=
adding-left:24px" class=3D"mceBlockContainer" valign=3D"top"><table align=
=3D"center" border=3D"0" cellpadding=3D"0" cellspacing=3D"0" width=3D"100%=
" style=3D"background-color:transparent;width:100%" role=3D"presentation"=
 class=3D"mceDividerContainer" data-block-id=3D"6"><tbody><tr><td style=3D=
"min-width:100%;border-top:15px inset #000000" class=3D"mceDividerBlock" v=
align=3D"top"></td></tr></tbody></table></td></tr><tr><td style=3D"padding=
-top:0;padding-bottom:0;padding-right:0;padding-left:0" valign=3D"top"><ta=
ble width=3D"100%" style=3D"border:0;border-radius:0;border-collapse:separ=
ate"><tbody><tr><td style=3D"padding-left:24px;padding-right:24px;padding-=
top:12px;padding-bottom:12px" class=3D"mceTextBlockContainer"><div data-bl=
ock-id=3D"31" class=3D"mceText" id=3D"dataBlockId-31" style=3D"width:100%"=
><p class=3D"last-child"><strong><span style=3D"color:#4e7a27;"><span styl=
e=3D"font-size: 33px"><span style=3D"font-family: Tahoma=2C Verdana=2C Seg=
oe=2C sans-serif">FALOLA=E2=80=99S INTERVIEW ON NIGERIA</span></span></spa=
n></strong></p></div></td></tr></tbody></table></td></tr><tr><td style=3D"=
background-color:transparent;padding-top:20px;padding-bottom:20px;padding-=
right:24px;padding-left:24px" class=3D"mceBlockContainer" valign=3D"top"><=
table align=3D"center" border=3D"0" cellpadding=3D"0" cellspacing=3D"0" wi=
dth=3D"100%" style=3D"background-color:transparent;width:100%" role=3D"pre=
sentation" class=3D"mceDividerContainer" data-block-id=3D"32"><tbody><tr><=
td style=3D"min-width:100%;border-top:2px solid #000000" class=3D"mceDivid=
erBlock" valign=3D"top"></td></tr></tbody></table></td></tr><tr><td style=
=3D"padding-top:0;padding-bottom:0;padding-right:0;padding-left:0" valign=
=3D"top"><table width=3D"100%" style=3D"border:0;border-radius:0;border-co=
llapse:separate"><tbody><tr><td style=3D"padding-left:24px;padding-right:2=
4px;padding-top:12px;padding-bottom:12px" class=3D"mceTextBlockContainer">=
<div data-block-id=3D"30" class=3D"mceText" id=3D"dataBlockId-30" style=3D=
"width:100%"><p><strong><span style=3D"font-size: 21px"><span style=3D"fon=
t-family: Tahoma=2C Verdana=2C Segoe=2C sans-serif">We cannot succeed if w=
e are divided over religion and ethnicity=2C poverty has no colour =E2=80=
=94 Prof. Falola</span></span></strong></p><p><br /></p><p><span style=3D"=
font-family: 'Catamaran'=2C sans-serif">https://tribuneonlineng.com/we-can=
not-succeed-if-we-are-divided-over-religion-and-ethnicity-poverty-has-no-c=
olour-prof-falola/</span></p><p><br /></p><p class=3D"last-child"><span st=
yle=3D"font-family: 'Catamaran'=2C sans-serif">https://drive.google.com/fi=
le/d/1ZD9aMFZsaGIQCprzKBgdgajtbHPE2acp/view?usp=3Dsharing</span></p></div>=
</td></tr></tbody></table></td></tr><tr><td style=3D"background-color:tran=
sparent;padding-top:20px;padding-bottom:20px;padding-right:24px;padding-le=
ft:24px" class=3D"mceBlockContainer" valign=3D"top"><table align=3D"center=
" border=3D"0" cellpadding=3D"0" cellspacing=3D"0" width=3D"100%" style=3D=
"background-color:transparent;width:100%" role=3D"presentation" class=3D"m=
ceDividerContainer" data-block-id=3D"33"><tbody><tr><td style=3D"min-width=
:100%;border-top:8px solid #000000" class=3D"mceDividerBlock" valign=3D"to=
p"></td></tr></tbody></table></td></tr><tr><td style=3D"padding-top:8px;pa=
dding-bottom:8px;padding-right:8px;padding-left:8px" class=3D"mceLayoutCon=
tainer" valign=3D"top"><table align=3D"center" border=3D"0" cellpadding=3D=
"0" cellspacing=3D"0" width=3D"100%" role=3D"presentation" data-block-id=
=3D"11" id=3D"section_13725315a7c51ffa1ea95ddfe1122fa5" class=3D"mceFooter=
Section"><tbody><tr class=3D"mceRow"><td style=3D"background-position:cent=
er;background-repeat:no-repeat;background-size:cover" valign=3D"top"><tabl=
e border=3D"0" cellpadding=3D"0" cellspacing=3D"12" width=3D"100%" role=3D=
"presentation"><tbody><tr><td style=3D"padding-top:0;padding-bottom:0" cla=
ss=3D"mceColumn" data-block-id=3D"-3" valign=3D"top" colspan=3D"12" width=
=3D"100%"><table border=3D"0" cellpadding=3D"0" cellspacing=3D"0" width=3D=
"100%" role=3D"presentation"><tbody><tr><td style=3D"padding-top:0;padding=
-bottom:0;padding-right:0;padding-left:0" align=3D"center" valign=3D"top">=
<table width=3D"100%" style=3D"border:0;border-radius:0;border-collapse:se=
parate"><tbody><tr><td style=3D"padding-left:16px;padding-right:16px;paddi=
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